Clarinetist Amy Hur has performed with leading ensembles across the United States, including the New Haven Symphony Orchestra, New World Symphony, Pegasus: The Orchestra, Parlando, Binghamton Philharmonic, Cayuga Chamber Orchestra, Orchestra Lumo, Civic Orchestra of Chicago, Charleston Symphony Orchestra, and the Milwaukee Symphony Orchestra. In fall 2026, she will join the Roanoke Symphony Orchestra as Principal Clarinet.

An active orchestral and chamber musician, Ms. Hur has appeared as a fellow at renowned festivals including the Napa Valley Music Festival, Norfolk Chamber Music Festival, Pacific Music Festival, and Spoleto Festival USA. Most recently, she served as Principal Clarinet of the Britt Festival Orchestra during the 2024 season.

Her artistry has been recognized through numerous honors, including awards from the American Protégé International Concerto Competition, Performer’s Certificate from the Eastman School of Music, the Yale School of Music Alumni Association Prize, the Music Teachers National Association Eastern Division Young Artist Award, and the Fischoff National Chamber Music Competition.

Deeply committed to music education and community engagement, Ms. Hur previously served as a Teaching Artist with Yale School of Music’s Music in Schools Initiative, helping bring classical music to students in New Haven public schools. She also served as a teaching artist with the Chicago Symphony Orchestra - Negaunee Music Institute, collaborating with Chicago Public Schools. She is currently Adjunct Faculty in Clarinet Performance at University of Wisconsin–Parkside.

Ms. Hur earned her Bachelor of Music and Performer’s Certificate from the Eastman School of Music, and both her Master of Music and Master of Musical Arts degrees from Yale University.

She is currently pursuing a Doctor of Musical Arts degree at Northwestern University, where she also holds a Graduate Assistantship. Her principal mentors include Alexander Fiterstein, Kenneth Grant, Emil Khudyev, David Shifrin, Pavel Vinnitsky, Pascual Martínez-Forteza, Steve Williamson, and Todd Levy.

Laura Jesson (they/them) is a Los Angeles viola performer and is honored to be joining the Unbound Symphony. In the greater Southern California area, Laura is a performer with many groups, including serving as assistant principal viola with both the Los Angeles Virtuosi Orchestra and the Westside Chamber Orchestra. They also perform with the San Luis Obispo Symphony, the Downey Symphony, the St. Matthew’s Chamber Orchestra, the Civic Orchestra of Los Angeles, and the Thousand Oaks Philharmonic. They are the sole viola player for the mixed instrument chamber ensemble HELIX Collective. In the summer of 2024, they performed with the International Pride Orchestra in New York. 

Laura’s work can be heard on the score of Universal Pictures’ Girls Trip and can be seen on the television shows The Fosters and Curb Your Enthusiasm. Laura enjoys playing for the Mission Opera, where professional and amateur singers perform side by side. Laura is also a featured performer with the Night Temple, where new film composers’ works are performed and recorded. Laura is an orchestral musician with several choirs, including the Choral Society, the Santa Clarita Master Chorale, and the Los Cancioneros Master Chorale. In addition to their performance career, Laura proudly serves as the orchestra manager and music librarian for the Downey Symphony and the music librarian for the St. Matthew’s Chamber Orchestra. 

Laura studied with Roger Myers at the University of Texas, Austin, and with Donald McInnes at the Thornton School of Music at the University of Southern California. Additionally, Laura was a fellow at the Aspen Festival and School and a fellow two summers at the Music Academy of the West. Laura was the only violist chosen to be a Gold Coast Chamber Music Festival Emerging Artist.

In their free time, Laura is an amateur chorister with the West Coast Singers of Los Angeles, a coffee aficionado, and a frequent walker in many Los Angeles parks.

Rebecca Lawrence grew up in Seattle, and following studies in Los Angeles, Paris, and Frankfurt, moved to Berlin in 2025. Her work with the double bass draws on more than four centuries of musical practice, bringing together historical awareness, contemporary experimentation, and a deep curiosity for sound.

Influenced by interests ranging from social movements and feminism to anthropology, ritual, and natural systems, she collaborates closely with leading composers in today’s European music scene. At the same time, a search for simple musical truth and harmony led her to study early music, which evolved into endless experimentation with the sonic possibilities of early instruments in contemporary contexts. 

Rebecca is a member of the Berlin-based Ensemble Kollektiv, and plays often as as a guest with a wide range of ensembles and orchestras, including Ensemble Modern, the Freiburg Baroque Orchestra, the Basel Sinfonietta, the Folkwang Kammerorchestra, Klangforum Wien, Deutsche Kammerorchester Bremen, and others. 

In 2026, she’ll record her first solo album with producer Weston Olencki, supported by a grant from the Deutscher Orchesterstiftung, exploring the possibilities of contemporary improvised pieces and arrangements on historical instruments.

Shelly Devlin received her Bachelor of Music in Trumpet Performance and Education from the University of Iowa and her Master of Music in Trumpet Performance from the University of Washington. She currently serves as adjunct trumpet instructor at Pierce College in Puyallup, Washington.  Since 2000, her private studio, Shelly Devlin Brass Studios, has taught 70 trumpet and horn students per week.  Shelly’s students have seen successful performances at recitals and statewide music festivals, and many of her students have had the honor of being accepted into All State, All Northwest, local youth symphonies, and college music programs.  Shelly has served as brass coach and clinician to Northwest Washington area schools, adjudicated Solo and Ensemble Festival for the Washington Music Educators Association, taught High Brass Techniques to undergraduate music majors at the University of Washington, served as brass coach for the Kitsap Youth Philharmonic, and conducted Brass Camps throughout the Puget Sound region.  

An active performer, Shelly currently plays principal trumpet with the Bremerton West Sound Symphony, flugelhorn with the Evergreen Brass, and trumpet with the Choppers Brass Quintet and the Choppers Brass Trio.  Shelly’s solo appearances include Telemann’s Sonata for piccolo trumpet and Handel’s Messiah with the Bremerton West Sound Symphony; Vincent Persichetti’s The Hollow Men with the Pierce College Orchestra; Adagio from Concierto de Aranjuez for flugelhorn with the Evergreen Brass; and McKee’s Centennial Horizon and Turrin’s arrangement of Gershwin’s Someone to Watch Over Me with the Pierce College Concert Band.  Shelly’s recent solo recital appearances include works for trumpet and piano on the Marysville Chamber Music Series and works for trumpet and organ on the Silverdale Lutheran Church Friday Night Concert Series. Shelly formerly served as a trumpeter with Navy Band Northwest and has been sponsored on several solo tours to the Midwest. Current projects include the commission and recording of new trumpet and piano works by composers Gina Gillie and Nick Colletto. In 2025, she penned her own composition, A Rough Night at the Cantina, which had its premiere performance at the 2025 Wahington Trumpet Guild Festival. 

Erika Pierson grew up in the Seattle area, beginning cello at age 7. She earned her Bachelor’s Degree of Cello Performance from Indiana University and her Master’s of Music Performance from University of Michigan. Between her degrees Erika studied in Berlin, Germany, at the Hochschule der Künste, and then studied privately under Eileen Croxford, FRMC, in London, England. In 2001, she performed at the Manchester International Cello Festival. Her other main teachers have included Angela Sokol, Richard Aaron, Tsuyoshi Tsutsumi, Markus Nyikos, Eileen Croxford and Erling Blondal Bengtsson.

Erika has given solo recitals in England, including a solo performance at St Martin in the Fields, London, in Germany, Spain, and in the United States. She has performed as featured soloist with orchestras in Berlin, Ann Arbor, and Everett, WA. On the less classical side of things, she has also performed with Mannheim Steamroller, Rod Stewart, the Walkmen, and Deltron 3030. Currently, Erika performs regularly as a rotating principal cellist in the North Corner Chamber Orchestra (NOCCO), gives frequent recitals as a soloist and a chamber musician in the Seattle area, and is an active freelancer in the Seattle community in orchestras including Lake Washington Symphony, Federal Way Symphony, Auburn Symphony, Seattle Metropolitan Orchestra and Seattle Chamber Orchestra. Erika is also a performing member of the Ladies Musical Club of Seattle.

Taiwanese American oboist Dr. Rong-Huey Liu, a Marigaux Artist, is a California-based high demand multi-faceted artist. 

As soloist, she has performed concertos of Bach, Corigliano, Viet Cuong, Daugherty, Ferran, Kalliwoda, Lebrun, Marcello, Mozart, Navarro, Saul, and Strauss. Her Grammy consideration recording of Saul’s "Kiev 2014: Rhapsody for Oboe and Orchestra" and its world premiere performance garnered critical acclaim for "sublime playing and crisp performance, filled with quiet perseverance and passion." Her performance of the Lebrun Oboe Concerto with the Long Beach Symphony was commended for “radiant tone easily filled the cavernous Terrace Theater….played with consummate grace and musicality... .awesome technical display."

Rong-Huey was a guest artist of the Ojai Summer Music Festival, Nevada Chamber Music Festival, Southwest International New Music Festival, Chamber Music Unbound, International Chamber Orchestra of Puerto Rico, and the concerto soloist for the 2024 IDRS. At the Cactus Pear Music Festival, her Mozart Quartet was noted by San Antonio critics for "sweetness shaped by a sense of crisp articulation" and for leading a performance of Daugherty “Firecracker” with a razzle dazzle ...the audience was thrilled". 

As a Hollywood recording studio musician, Rong-Huey has collaborated with celebrities such as Justin Bieber, Andrea Bocelli, Carrie Underwood, Chris Botti, Jennifer Hudson, Jennifer Lopez, Josh Groban, Paul Shaffer, Spinal Tap, The Who, and Weird Al. Her cinema credits includes A Jazzman’s Blues, Animaniacs, Disenchanted, Hocus Pocus II, Six Triple Eight, Star Trek movie, Star War VIII, True & Treason, to name a few. 

Rong-Huey holds Doctor of Musical Arts degree from the University of Southern California Thornton School of Music, Bachelor and Master of Music degrees from the Manhattan School of Music. She is currently the oboe professor at California State University Fullerton, La Sierra University, Riverside City College, University of Redlands, and the Fresno Opera & Orchestra Summer Academy (FOOSA). 

Rong-Huey is the principal oboist for the Long Beach Symphony, Los Angeles Ballet Orchestra, Fresno Philharmonic, Riverside County Philharmonic and Redlands Symphony, Modesto Symphony (acting principal) and a frequent sectional oboe at Pacific Symphony.

Violist Aleida Gehrels is a Seattle based performer and recording artist.  A leading collaborator in cross-genre music, Aleida has toured with Macklemore and Queens of the Stone, and been featured live on KEXP radio with ODESZA, Maribou State, Queens of the Stone Age, and Jeremy Enigk.  Other recent highlights include an appearance performing on the hit Netflix show Love Is Blind, as well as concerts, tours, and recordings with The Swell Season, Father John Misty, Smokey Robinson, Apashe, Perfume Genius, Abney Park, Tyler Edwards, The Rumba Kings, The Dip, et al. Aleida frequently appears with Andrew Joslyn and the Passenger String Quartet and the Seattle Rock Orchestra, and is an active contributor to the rich PNW singer-songwriter community.

In addition to her work in contemporary music, Aleida maintains an active career as a classical violist.  She performs over 100 events annually with Arcobaleno Strings and has represented the city of Seattle as the violist of the Seattle-Bergen String Quartet, a touring ensemble focused on cultural diplomacy between the two sister cities. She is a musician and member of the artistic board for Seattle Metropolitan Chamber Orchestra and The Sound Ensemble, with whom she has been broadcast live on KING FM radio, has performed as violist for the viral Candlelight Concerts, and has worked with Seattle Chamber Orchestra, Fifth Avenue Theatre, Seattle Modern Orchestra, Bellingham Festival of Music, Village Theatre, North Corner Chamber Orchestra, Tacoma City Ballet Orchestra, Vashon Opera, and the Auburn, Federal Way, Yakima, and Tacoma Symphonies.

Aleida’s diverse musical interests stem from her rigorous classical training. She made her debut as a soloist at the age of 17, performing the Stamitz Viola Concerto with the Tucson Pops Orchestra.  She went on to achieve her Bachelors in Music with Hong-Mei Xiao at the University of Arizona and her Masters in Music with Roger Chase at the Chicago College of Performing Arts. Upon completing her degrees Aleida embarked on a career as a chamber musician, touring all seven continents with the Beacon Street Strings on board luxury cruise liners.  She relocated permanently to Seattle in 2015 and has quickly become one of the most sought after freelance violists in the region. Aleida performs on a Chappuy viola from Paris, 1772. 

Samantha Epp was born and raised in Everett, Washington. After studying bassoon with Francine Peterson throughout middle school and high school, Samantha pursued a bachelors and masters degree in bassoon performance at the University of Southern California under the tutelage of Judith Farmer. Samantha is currently the principal bassoonist for the Seattle Philharmonic Orchestra and has performed with various groups including the American Youth Symphony, Orchestra Nova Los Angeles, Bellingham Symphony Orchestra, Octava Chamber Orchestra, Lake Union Civic Orchestra, Washington Wind Symphony, and Solstice Symphony Orchestra.

When she’s not performing, Samantha likes to unwind by cross stitching, listening to film scores, and loves exploring new coffee shops and small towns in the area. 

Nicole Buetti is a composer, contrabassoonist/bassoonist, educator, educational content creator, and songwriter. She was honored as Commissioned Composer of the Year 2025 by the Washington State Music Teachers Association.  She also received two Telly Awards for her music and multimedia work Walking With Giants and an additional Telly award for her Children's online song series - Meet the Planets.  Nicole is also a Partner of Goes to Eleven Media, a music & media publishing company specializing in award-winning children’s educational songs and videos featuring the popular puppet characters, The Nirks®.

When she’s not composing, Nicole is an active contrabassoonist and bassoonist. She is the contrabassoonist for the Vancouver (WA) Symphony, Portland Columbia Symphony and the Oregon Coast Music Festival, Principal Bassoonist in the Portland Choir Orchestra and a proud new member of Unbound Symphony. She is also a freelancer and performs with ensembles all across the Pacific Northwest including the Oregon Ballet, Pacific Northwest Ballet and the Oregon Symphony. She has performed with the Haydn Music Festival Orchestra in Vienna, and as a soloist and chamber music artist with the Assisi Performing Arts Festival in Italy.  She teaches bassoon at the University of Portland and Clark as well as maintaining a large private studio. 

Nicole thrives on creating music that uplifts, educates and engages audiences. She strives to create stimulating music that audiences and musicians can enjoy while embracing the beauty and whimsy of the world around us.

Devon Rafanelli (she/her) is finishing up her first year of graduate studies at the University of Washington, where she is studying Percussion Performance. Devon is a Graduate Student Worker and performs with the Symphony Orchestra, Modern Music Ensemble, and Percussion Ensemble. She received her Bachelor of Music in Percussion Performance and her Bachelor of Music Education from the University of Maryland (College Park) in 2023. During her time at UMD and post-grad, Devon taught early childhood classes at the Hatchling Community Music Program, working with infants and toddlers. She also stage directed, music directed, and choreographed two middle school musicals. Before being a full-time instrumental music teacher for a year, she taught 10th and 11th grade American Sign Language. Originally from New York, Devon has been immersed in dance and theater and has played in musical pits, opera pits, big bands and various chamber ensembles. Early in her career, she had the opportunity to work with Sandbox Percussion at their summer seminar in 2023, and also has studied under members of the Philadelphia Orchestra, National Symphony Orchestra, US Marine Band and the Army Blues Band. Devon is loving studying music on the West Coast, especially under the direction of Bonnie Whiting! In early April, Devon performed Simeon ten Holt's Canto Ostinato with Sandbox Percussion at Emerald City Music, and later that month was the drummer for the Seattle JazzED Gala. Besides being a full-time student, she also teaches at Seattle JazzED, where she works with K-3 and middle school students.

Clarisse Benson is an arts administrator, bassoonist, and nonprofit leader with a passion for supporting both artistic and community-centered organizations. Originally from Gainesville, Florida, she earned a bachelor’s degree in bassoon performance from the University of Maryland, followed by a master’s degree and an Advanced Music Studies Certificate in bassoon performance from Carnegie Mellon University.

Following her studies, Clarisse served as Artistic Operations Coordinator for The Florida Orchestra, where she helped facilitate performances and residencies with renowned guest artists including Elim Chan, James Ehnes, Aldo López-Gavilán, Maximilian Hornung, and Sting. After relocating to Seattle in 2018, she worked as Finance and Operations Coordinator at ArtsFund and Orchestra Manager for the West Seattle Community Orchestras, supporting the operational and financial health of arts organizations across the region.

Clarisse currently serves as Manager of Student and Postdoctoral Programs for the Washington Research Foundation, supporting initiatives that invest in the next generation of scientific innovators. Alongside her work in research philanthropy, she serves as Director of Finance and Administration for the North Corner Chamber Orchestra, helping advance its mission to present immersive and collaborative musical performances throughout the greater Seattle area.

Outside of her professional and musical pursuits, Clarisse enjoys exploring the Pacific Northwest, hiking with her husband and two dogs, Pepper and Tabitha, and watching delightfully bad horror movies.

Lizzy Pedersen has been playing violin since the age of 3. Lizzy studied with Mihoko Hirata, Irv Eisenberg, Emma McGrath, Lina Bahn, and Edward Dusinberre. Lizzy holds a B.A. in Music from the University of Colorado Boulder with highest honors, and is a registered Suzuki teacher for Books 1 through 6. Lizzy has attended the Indiana University Retreat for Violin and Viola Teachers, Tafelmusik Baroque Summer Institute, and completed training in Rolland String Pedagogy through Level 3. Lizzy has been teaching violin since 2009, and running Pedersen Violin since 2018. She now teaches violin and viola, and coaches in the Northshore school district.

Lizzy has served as concertmaster with Lake Union Civic Orchestra, Eastside Symphony, Octava Chamber Orchestra, and Jefferson Symphony. She has freelanced with groups such as Northwest Sinfonietta, NOCCO, Seattle Metropolitan Chamber Orchestra, Northwest Chorale, Rainier Chorale, Seattle Chamber Orchestra, Bellevue Opera, PLU Choral Union, Kulshan Chorus, Sound Ensemble, Great Bend Center for Music, Blessed Sacrament Parish, Emerald Ballet Theatre, and the Cheyenne Symphony. Lizzy also provides solo violin music for events such as weddings, funerals, and luncheons. She plays church services, where she plays chamber music, solo pieces, and choir accompaniment. 

Lizzy's interests are not limited to classical violin, and expand into the Balkan and International folk music genres. She played with Kafana Republik from 2010 to 2012. Now she plays with Învârtim (since 2022), Orkestar RTW (since 2022), and Zakuska (since 2024). 

Lizzy is a Frisch & Denig Custom Chinrest Fitting Specialist. She is now based out of Everett, Washington.

Dr. Florie Rothenberg (she/they) is a dynamic and versatile clarinetist whose artistry resonates across the Pacific Northwest and beyond. A member of Symphony Tacoma, Tacoma Opera,and the North Corner Chamber Orchestra (NOCCO), where they were featured as a soloist in 2023, Florie brings a compelling musical voice to every stage they inhabit. Their work extends into a wide range of collaborations, with frequent appearances alongside Pacific Northwest Ballet, Auburn Symphony,and numerous Seattle-area ensembles, reflecting both their adaptability and artistic curiosity.

Beyond the concert hall, Florie’s creative reach includes film scoring and recording projects with Northwest Chamber Orchestra, Rainier Chamber Winds, and Gunnar Madsen of The Bobs. Florie’s debut album, Voices of Trees: Modern Works by Women Composers for Clarinet and Piano, created in collaboration with pianist and composer Rachel Matthews, stands as a thoughtful and evocative contribution to the repertoire, amplifying the voices of women composers through richly expressive performance.

Equally dedicated to education, Florie serves on the faculty of the University of Puget Sound Community Music, and has taught at Central Washington University, Musicworks Northwest, Music Center of the Northwest, Vivace Chamber Music Festival, and the Hartwick College Summer Music Festival and Institute. They hold degrees from the University of Arizona, the University of Michigan, and the University of the Pacific, and have studied with esteemed clarinetists Jerry Kirkbride, David Shifrin, and William Dominik.

Anna Doak is currently a member of the Northwest Sinfonietta and serves as principal bassist and teaching artist for the Seattle Collaborative Orchestra. She has performed with the Seattle Symphony, the National Academy Orchestra of Canada, the Northwest Chamber Orchestra, and the Pacific Northwest Ballet Orchestra.  Anna is a founding member of the chamber ensemble Different Drummer and was awarded artist support grants by the Jack Straw Foundation in 2015 and again in 2020.

In addition to her classical training, Anna holds a BA degree in Jazz Performance from Cornish College of the Arts. She is also an active performer outside the classical sphere. Her credits include collaborations with Sub Pop Records, Intiman Theatre, Seattle Repertory and The 5th Avenue Theatres, as well as performances and recording projects with artists such as Linda Ronstadt, Spirit of the West and The Dave Mathews Band. She has also performed on movie score soundtracks for Disney, MGM, United Artists, and IMAX.

Anna taught at Western Washington University from 1997–2002. After starting a family, she became a Suzuki bass teacher and joined the faculty at the Japan Seattle Suzuki Institute. In 2019, she became a Suzuki Bass Teacher Trainer for the Suzuki Association of the Americas.

Anna is thrilled to have been invited to perform for the inaugural performance of the Unbound Symphony and is excited about the forward-thinking mission of this organization.

In her spare time, Anna enjoys gardening, reading, practicing Tai Chi, and hiking with her dog, Mischief.

Hsing-Hui Hsu is the music director and co-founder of the Emerald City Chamber Orchestra, a Seattle-based ensemble specializing in string repertoire. She has been a guest assistant conductor with the Seattle Symphony, and has also guest conducted the Seattle Collaborative Orchestra, Saratoga Orchestra, Seattle Festival Orchestra, and Puget Sound Symphony Orchestra. She was a founding member of the Amazon Symphony Orchestra and served as Music Director, collaborating with other arts organizations in the Seattle area as well as charitable organizations such as Mary’s Place. Hsing-Hui is currently in her second season as assistant conductor of Harmonia Orchestra and Chorus.

In addition to conducting, Hsing-Hui is an active clarinetist. Last season, she served as acting principal clarinetist with the Yakima Symphony Orchestra, where she also serves as bass clarinetist. She has performed with the Seattle Symphony, Pacific Northwest Opera, Sustain Music Project, Tacoma Opera, Seattle Philharmonic, Philharmonia Northwest, Seattle Metropolitan Chamber Orchestra, and Puget Sound Symphony Orchestra. She received her Bachelor of Music in clarinet performance from Rice University, where she also served as Music Director of the Rice Light Opera Society.

DR. ANNA EDWARDS’ musical career progression as a violinist, educator, and symphony conductor has inspired her mission to encourage and promote musical diversity at the highest level from professional, educational, and collaborative music organizations across the country. She is a passionate advocate of music from underrepresented composers on the concert stage. The 2025-26 season marks the thirteenth season for Edwards as Music Director of the Seattle Collaborative Orchestra, eleventh season as Music Director of the Saratoga Orchestra, and eighth season as Music Director of the Pacific Northwest Conducting Institute. Currently, Edwards balances her time between conducting in the Pacific Northwest, serving as a guest conductor/clinician across the country. 

As a recognized leader for the promotion of musical diversity in symphonic orchestral music, Dave Beck, of Seattle Classical KING FM wrote, “The Seattle Collaborative Orchestra under Dr. Anna Edwards’ excellent musicianship, inspired vision, and creative leadership, is doing everything a modern orchestra should be doing to insure the future of the art of symphonic music. The spirit of collaboration among these professional, gifted amateur and excellent student musicians fosters innovation, diversity, and new possibilities in the life of the 21st century symphony orchestra. SCO is showing the way forward like no other orchestra in our region.” Along with her passion for diversity on the concert stage, in 2022 Edwards launched Anna’s Composer Database; a curated list of underrepresented composers that provides ideas for excellent, well-rounded, and interesting concert programs.

Edwards continues to follow her commitment to program innovative music, which balances traditional classical music with music by women, underrepresented composers, and Northwest artists. Commissioned premieres include works by Joe Jaxson, Sarah Bassingthwaighte, Leanna Primiani, Julian Garvue, Brendan McMullen, Andy Clausen, David Lien, Tim Huling, Angelique Poteat, and Victoria Bond. Anna additionally offers lectures concerning music, gender, and leadership to up-and-coming musicians and community leaders in public schools, community businesses, Colleges, and Universities.

Edwards’ dedication to quality musical performance started with her early career as a professional violinist, performing with prestigious ensembles such as the Pacific Northwest Ballet, Northwest Sinfonietta, Auburn Symphony, and multiple Seattle area chamber ensembles. As she has turned her career towards conducting, Edwards has attended numerous festivals and workshops, with mentors such as Ludovic Morlot, Michael Jinbo, Diane Wittry, Neil Thomson, and Gustav Meier. She received a Doctor of Musical Arts Degree in Orchestral Conducting from the University of Washington, and holds a Bachelor of Music Education and Masters in Violin Performance.

In 2013, 2014, and 2018, Edwards received 2nd place and then two - 1st place honors (respectively) for conducting in The American Prize, a national competition for conductors and musical ensembles. Seattle Collaborative Orchestra received two - 2nd place and then 1st place honors for The American Prize orchestra performance division. In SCO’s performance of Jennifer Higdon’s Concerto for Orchestra, American Prize described Edwards’ conducting as “strong and committed” and “…always ‘in the moment,’ showing clarity of beat, intensity and focus.…the conductor’s face is alive to each musical gesture and the nuance.”

Rosie Rogers was born and raised in Oregon, where she learned piano from her mom, Angèle. She began playing the bassoon under the tutelage of Lyle Dockendorff and Evan Kuhlmann and soon discovered a love for orchestra and chamber music. Rosie moved to Washington to study with Francine Peterson at the University of Puget Sound, where she earned a Bachelor of Music in bassoon performance. She then completed her Master’s degree at Lynn Conservatory studying with Whitney Crockett.

Rosie performs regularly with groups around the Puget Sound including Symphony Tacoma, where she is currently acting second bassoon, Northwest Sinfonietta, and Rainier Symphony, where she appeared as a soloist in February 2026. Previously, she served as acting principal bassoon for a season with the Orquesta Sinfónica del Estado de México (OSEM) in Toluca. She has also reviewed opera as a freelance critic for Palm Beach Arts Paper and Bachtrack.

Rosie can most often be found at her local public library, where she works as a library assistant, at home watching reality TV and making reeds, and taking long walks around Tacoma with an audiobook.

“Fierce, with graceful gestures and attention to detail.”-KlasikaPlus.cz

Dr. Yuchi Chou, a Taiwan-born conductor and pianist, shapes music with a voice that is both refined and deeply expressive, cultivating an international career marked by artistic vision and thoughtful leadership. Since her appointment as Music Director and Conductor of the Seattle Festival Orchestra in 2023, she has guided the ensemble with exhilarating energy and nuance, while also inspiring young musicians as Conductor of the Seattle Youth Symphony Orchestra’s Junior Symphony Orchestra since 2022. From 2022 to 2025, she served as assistant conductor to Dr. Anna Edwards with the Seattle Collaborative Orchestra.

Her work has drawn recognition from leading musical institutions around the world. In 2024, she was selected by the International Conductors Guild to conduct the Buffalo Philharmonic Orchestra under the mentorship of JoAnn Falletta. A prizewinner of the 2021 International Conductors Competition and Workshop in Atlanta and finalist in the International Ernő Lányi Competition, she has also been shaped by fellowships with the Vienna Philharmonic at the Salzburg Festival, Aspen Music Festival, and Allentown Symphony.

As both conductor and pianist, Dr. Chou has performed in some of the world’s most celebrated halls, including Carnegie Hall, Chicago Symphony Hall, San Francisco’s Davies Symphony Hall, and Cleveland’s Severance Hall. She earned her Doctorate in Conducting from Northwestern University, following studies at the San Francisco Conservatory and Oberlin Conservatory.

Based on Mercer Island, Dr. Chou balances a vibrant musical life with a love of teaching and mentoring private piano students. She also serves as President of the Bellevue Federated Music Club and finds quiet joy in tending her backyard beehive—a different kind of orchestra with the gentle symphony of her honeybees.

Dr. Lorin Green (She/Her) is an arts leader, administrator, flutist, and educator in Seattle, WA. She currently serves as the Senior Manager of Community Relations & Partnerships for the Seattle Symphony where she acts as the bridge between the symphony and the community. Lorin co-edited the published anthology From Our Eyes & Ears: Writings by Musicians of Color, Volume 1- Black Voices that centers writings by musicians of color from various perspectives who chose to pursue music as a career path in the western classical music field.

As a performer and published researcher, Lorin has been selected to present and perform at numerous conferences including the National Flute Association Annual Convention, the Midwest International Band and Orchestra Clinic, and the League of American Orchestras Conference. Her latest research has centered around flutist, educator, author, and administrator Dorothy Antoinette Handy. 

Lorin's education includes a certificate from the Juilliard School and a Doctorate of Musical Arts in Flute Performance from the University of Washington. Her work and education centers on amplifying the voices of the underrepresented within all fields of music and art at large. In her free time, Lorin loves trying new restaurants around Seattle, traveling, and spending time within her local arts communities. 

Naoko Inoue Shatz is the Managing Attorney of Shatz Law Group PLLC, where she works across business law, employment matters, and cross-border transactions between the United States and Japan. She also serves as outside general counsel to organizations including the Consulate General of Japan in Seattle and major Japanese companies.

Her work extends beyond business law. Naoko has supported individuals navigating complex international family law cases, including those involving domestic violence and the Hague Convention. This led her to co-found the International Families Justice Coalition, which provides support to immigrant litigants and has received legislative support in Washington State.

She is also a trusted expert in transnational legal matters, frequently contributing through publications, education, and expert testimony.

Naoko brings a powerful combination of legal expertise, global perspective, and deep commitment to advocacy.

Her leadership reflects the kind of thoughtful, people-centered work that aligns with our mission to build a more supportive and equitable future for women in music.

Beyond her legal work, Naoko is an accomplished pianist who rarely lets a day go by without diving into the Chopin Etudes. She is currently on the hunt for the perfect Steinway baby grand. We are honored to have her serve on our board of directors.